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The circle addressed philosophically the social and cultural issues posed by the Russian Revolution and its degeneration into the Stalin dictatorship. These thematic categories contain contributions by well-established Bakhtin specialists such as Gary Saul Morson and Michael Holquist, as well as a number of essays by scholars who have published on this subject before. The Bakhtin Circle was a 20th century school of Russian thought which centered on the work of Mikhail Mikhailovich Bakhtin (1895-1975). After an extensive introduction that serves as a ‘state of the art’, the volume is divided into four main parts: Philosophical Reflections, Relevance of the Chronotope for Literary History, Chronotopical Readings and Some Perspectives for Literary Theory. Heteroglossia can exist also in some of the low poetic genres. This concept, initially developed in the 1930s and used as a frame of reference throughout Bakhtin’s own writings, has been highly influential in literary studies. Bakhtin acknowledges that in actual poetic works, it is possible to find features fundamental to prose, especially in periods of shift in literary poetic languages (DI, 287n). Critical Analysis of Bakhtin’s Chronotope.
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The chronotope is underutilized in the social sciences, but disputes over indigenous land in Canada exemplify its potential applications. Bakhtin then defines more specific pure types of chronotope: love idyll (pastoral), agricultural labor idyll, craft work idyll, family idyll. This edited volume is the first scholarly tome exclusively dedicated to Mikhail Bakhtin’s theory of the literary chronotope. Bakhtins chronotope (spacetime), which bridges plot, narrated events, and the real world, is critical to understanding this capacity, whether in fiction, in histories, or in didactic stories, myths, and parables.